This was the best and most notable speed improvement out of everything I'd done so far. Or for non-legacy ATI/AMD you can try their drivers first rather than bleeding-edge open source:įollowing on from what misuisum says, there is also an issue with keys sticking under Linux, you can resolve this and his issue (distro agnostic): System->Administration->Additional Drivers Probably worth saying that the first place to look for proprietary drivers is via the Distro, ie for ATI/Nvidia under Ubuntu/Mint go to: R200 cards can use the ATI official driver) Open-source ATI/Nvidia Drivers (This is pretty much the best for ATI. You can still download their latest Catalyst Control Center and generic driver, but there are LOTS of compatability issues with the cards they've stopped officially supporting. They have unfortunately stopped supporting several cards with Linux drivers. However, some mainstream brands have dropped linux support, an example being ATI. Linux is pretty great at automatically detecting and using almost any device you plug into it. The main difference is how they're installed. It should be noted that Linux uses graphics drivers just like Windows. Sun's JRE is a bit better as far as speed goes.Ģ) The latest drivers for your graphics card This is fine in most situtations, but it actually seems to make Minecraft slower. This is important, as a lot of Linux distros are shipping with OpenJDK's JRE. You will need a few things to ensure Minecraft runs smoothly. I have done a lot of research to improve my person gameplay experience, and I believe you could all benefit from it as I have. Because of this afterthought-appropriation, there are a few performance issues inherent with these ports. It just so happens that an App and Jar were developed for we Unix users. First off, I would like to say that Minecraft was not created for Linux or Mac.
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You should see the database file called Airport.sqlite (which you can open with the MAC based app mentioned below) and also the folder called Charts (the PDF contents of which will be self-evident).Ģnd: To open the Airport.sqlite database file you should use the MAC based app: SQLiteManager (). Connect your iPad, then navigate to: Apps / Lido iRM / Documents. I even went as far as to ask Lido if they have an FTP site from which to download the charts, but they answered that they didn't have one (which I find very hard to believe, or how else will they themselves feed the pages from their servers down to 000's of iPads ?!).įor those of a similar mind as my own in doing their own hacking of the device and its apps, you might be interested the following MAC based apps:ġst: PhoneView () (which also works with the iPad)Īmongst other neat things this (MAC based) app can do, is to allow you to open your iPhone / iPad and see it's internal file structure (you'll need to tick box in Settings / Show Entire Disk (Advanced Disk Mode).Į.g. chargeable over & above what they already levy for accessing the web based Chart Viewer).īut never being one to be easily dissuaded, I have figured out how to hack into the database (SQLite) which underpins the LidoRM app, and am presently working-out how their file naming convention works so that, when uploaded to the iPad, the files will appear correctly sequenced within the LidoRM app (the PDF files themselves can be downloaded from Lido's web based Chart Viewer). I should perhaps add that Lido have suggested to our lot (flydubai) that using the charts within the LidoRM app on the iPad might become a chargeable option (i.e. however, you will not be able to download them because, when you select an airport and then click the 'Download' button, you will probably get a popup message that tells you that your 'Account data is Invalid' (I suspect because the system is still in test mode). This all said, the iPad will then present you with an enormous list of airfields. before the login / password will activate within the app. when you enter login & password in the Settings panel, you will need to completely close down the Lido/RM app and then restart the app again, i.e. If the LidoRM app is already running on the iPad, i.e. If your company has provided you with a login to Lido's Chart Viewer web page ( Flight Information Viewer () ) you can enter that same login & password into the equivalent fields located in the 'Settings' panel of the iPad ( see: Settings / LidoRM / Airline Login ). It includes a visual query builder, an SQL editor with syntax highlighting and code completion, visual table and view designers and powerful import and export capabilities.ĭownload SQLite Expert Professional 64bitĭownload SQLite Expert Professional 32bitĭownload SQLite Expert Pro.v5.x.The current version of the LidoRM iPad app is limited to only a handful of airports (ostensibly because the system is still in trial mode). The graphical interface supports all SQLite features. It includes a visual ask creator, an SQL application with syntax light and codification closing, visual table and reach designers and efficacious moment and commodity capabilities. The illustration port supports all SQLite features. It is a feature princely governance and evolution tool for SQLite organized to response the needs of all users from writing lancelike SQL queries to processing whole databases. SQLite Expert is a regent way premeditated to simplify the usage of SQLite3 databases. It is a feature rich administration and development tool for SQLite designed to answer the needs of all users from writing simple SQL queries to developing complex databases. SQLite Expert is a powerful tool designed to simplify the development of SQLite3 databases. Like previous games, To the Moon 3: Impostor Factory offers simplified graphics inspired by 16-bit jRPGs. Short Description: A bonkers time-loop tragicomedy murder mystery thriller featuring multiple casualties and a suspicious cat, from the creator of To the Moon &. Described by Freebird Games as bonkers time-loop tragicomedy murder mystery thriller. Is Impostor Factory - The Bestest Dancers Comic your favourite steam game Then, visit GameLoop to download steam games free and begin to play on your PC. The player deal with a classic adventure game, in which thay explore the world, talks to the characters and find orbs symbolizing the memories of the dying man. Now, the developer is back with the third and possibly final chapter of the saga: Impostor Factory. The mechanics of To the Moon 3: Impostor Factory remained the same as in the previous installments of the series. This decision caused the man to make a remarkable discovery - he discovered a time machine on the property. The place had some kind of magnetism in it, so the hero decided to go. Once upon a time he received an invitation to a party at a suspicious manor house. This time, the duo's patien is called Quincy. This way they can know their last wishes and fulfill them before the person dies. The player once again leads two doctors - Eva Rosalene and Neil Watts - who use modern technology to move into the minds of dying persons. To the Moon 3: Impostor Factory was designed in such a way that the knowledge of the previous two parts is not required to play. Like A Bird Story, the game was a follow-up and prequel of To the. As in the case of previous parts, Freebird Games is responsible for the development. Impostor Factory is a 2021 adventure video game developed and published by Freebird Games. It prominently features an unnamed lady in a red dress, presumably the same one featured in the promotional posters. The official trailer premiered on August 2020. Impostor Factory is the third installment of the adventure game series To the Moon, which started in 2011. Impostor Factory was first announced on March 2019, though it was not yet confirmed whether the game would be a part of the Sigmund Corp. Memorial Health Systems open statement on ransomware attack Who is Hive? This is a human-operated ransomware attack designed to take input from the command line, indicating the attackers are both aware of the environment and tailoring their attacks for maximum impact. While some ransomware attacks hitting public health and critical infrastructure targets can be the result of a shotgun approach to targetting – mass phishing campaigns that execute malware blindly on victim devices without awareness of the victim environment – that is not the case with Hive. As a result, the hospital was forced to advise some patients to seek treatment at separate facilities. On August 15, 2021, news broke of a Hive campaign against Memorial Health System, an Ohio healthcare provider. While many active ransomware groups have committed to forgoing attacks on medical targets in deference to the current global situation, Hive is not one of them. Hive remains active with as many as 30 victim companies listed on its Hive Leaks onion site at the time of writing.This report offers an overview of Hive TTPs as well as a reverse engineering deep dive into the ransomware payloads.Hive ransomware is written in Go to take advantage of the language’s concurrency features to encrypt files faster.The group is notable in its undiscerning choice of targets, having no limits when it comes to healthcare providers and hospitals, as evidenced in a recent attack on Memorial Health System hospitals in Ohio.Hive is a double-extortion ransomware group that first appeared in June 2021.By Jim Walter & Juan Andres Guerrero-Saade Executive Summary Mel and Don said, ‘Man, Farner, you wrote a hit. That’s a hit!’ I said, ‘God gave it to me. I took it to rehearsal that day, and both Mel and Don said, ‘Man, Farner, you wrote a hit. I played this inversion just by accident, and I was like, ‘How did that happen?’ Then I started singing, and the whole song just came out. Then I made a pot of coffee, reached over and grabbed my Washburn guitar, and I started playing. on it: ‘God, would you please give me a song that would touch the hearts of those you want to get to?’ I got up and wrote the words – they were just there. I said the prayer my mother taught me, and I put a P.S. Somebody pinch me!’” “Closer To Home (I’m Your Captain)” from ‘Closer To Home’ (1970) You know, we’re making a record, so I was like, ‘Wow, it’s really happening. What’s next?’ Listening back to it was thrilling. I remember Terry Knight heard us track ‘Heartbreaker’ one time, and he said, ‘Okay, that’s done. “I used my Musicraft Messenger guitar and my West Fillmore amplifier, and I just ripped. Of course, the whole first album was done in three days – recorded and mixed. By the time we got in the studio, I could’ve played it in my sleep. “I played it with Grand Funk pretty much the same way as I did with the Bossmen. It wasn’t so much that I was a great musician it was because I was going after the audience. We’d play it live, and there’d be the breakdown section where I do a guitar solo. In fact, we did it in the Bossmen for the last six months that I was with them. I had it in my back pocket for a few years before Grand Funk. Then I started hearing everything – the drums, the bass, how I should play guitar. I just started playing the chords, played ’em over and over, and soon enough the melody came to me. “This was my first attempt at songwriting. I could never read music, but I knew how to put melodies across in my solos, and I could get the audience going.” “When I played with Don and Mel, I just got into this frame of mind, and I was cookin’. “My guitar playing has always been based on pure emotion,” he says. I’m 72 now, so I’ve got to work the muscles a little more than when I was a young guy. How do you explain it?”įarner is similarly unanalytical when it comes to his exuberant approach to electric guitar playing, a distinctive blend of robust rhythms, widescreen leads and irrepressible jams that ignited car radios, arenas and stadiums throughout the ’70s. I’d pick up my guitar, and at first I had nothing, but before long I’d have a complete song. But it was incredible how I could get in this state of mind. “I just needed the confidence that I could do it, and once I had it, I couldn’t stop,” he says. ISBN 978-0-89820-213-7.That one night unlocked a door for Farner, and it led to a cavalcade of hard-charging, soulful classics that he would go on to write for Grand Funk Railroad from the late ’60s and well into the next decade. The Comparison Book Billboard/Cash Box/Record World 1954-1982. United Kingdom: The Official UK Charts Company. ^ "Official Charts / Grand Funk Railroad / Singles".^ "Chartverfolgung / Grand Funk Railroad / Single".^ "Grand Funk Railroad: Charts & Awards – Billboard Singles".^ a b c d e f g h i j k l m n RIAA Gold and Platinum Search for albums by Grand Funk Railroad.^ "Artist Info: Grand Funk Railroad" (PHP).Australian Chart Book 1970–1992 (illustrated ed.). ^ a b " Go-Set Magazine Charts: Australian Top 40 Singles and Album Charts 1966–1974".^ a b c "Grand Funk Railroad: Charts & Awards – Billboard Albums".US Charts are Billboard unless otherwise noted. (Terry Knight & The Pack tracks w/Farner & Brewer)ġ0 Great Songs The Millennium Collection: 20th Century Masters Grand Funk has released 13 studio album, 4 live albums, 8 albums and 25 singles.Īlbums Studio albums Year The band is most notable for their peak in popularity during the 1970s. Grand Funk Railroad (shortened to Grand Funk) is an American hard rock band formed in 1969. Cataloging of published recordings by Grand Funk Railroad Grand Funk Railroad discography Lead and background vocals – Sisqó (Mark Andrews), Jazz (Larry Anthony), Nokio (Tamir Ruffin), Scola (Rufus Waller) and Woody (James Green).Unless Otherwise Indicated, information is taken from Liner Notes and 1 "I Do (Millions)" interpolates the composition "Millions", written by Marvin Winans.Wirlie Morris, Alan Floyd, Jazz Dru-Daddy Tamir Ruffin Mark Andrews Rufus Waller Dennis Moorehead Mark Andrews Tamir Ruffin Rufus Waller Victor Santiago Tamara Savage Bryan-Michael Cox Mark Andrews Rufus Waller Gregory Curtis The Featherstones, Roundtable/Kidrow Productions, Sisqó (Additional) Justin Featherstone Alonzo Joyner Jeriel Askew Matthew Featherstone Christopher Featherstone Tamir Ruffin Case Woodard Terrance Quaites Darryl Pearson Tamir Ruffin Darryl Pearson Darrell Adams The album was certified gold by the RIAA for shipments in excess of 500,000 copies. The album itself peaked at number 21 on the Billboard 200 albums chart, and at number 2 on the Billboard R&B/Hip-Hop Albums chart seeling 122,000 copies in its first week. Its follow-up, "I Love You", was less successful, peaking at number 77 pop and number 21 R&B spring 2003. "I Should Be" peaked at number 25 on the Billboard Hot 100 pop singles chart in the United States, and number six on the Billboard Hot R&B/Hip-Hop Singles & Tracks chart. The new five-man Dru Hill lineup set about recording Dru World Order in October 2001, with Nokio taking creative control of the project. The group won the label over with "I Should Be.", a song written by a teenaged local R&B act from Baltimore called "Everidae" (The Featherstones) along with Jeriel Askew. Initially, Def Soul was not sold on a Dru Hill reunion, given the long period of time since the group's last release, and the relative failure of Sisqó's second solo album. Dru Hill also hired Rufus "Ruscola" Waller, a local artist from their hometown of Baltimore, Maryland, as a fifth member. Woody, who had released his solo gospel album on Kirk Franklin's Gospocentric Records in spring 2002, agreed to the reunion, as did Jazz. After the group members reunited at the funeral of Woody's mother, Dru Hill made plans to reform. Unlike Unleash the Dragon, Return of Dragon was not a success. One completed recording from the aborted fall 2000 sessions, "Without You", was included on Sisqó's second solo album, Return of Dragon. When the group reformed in November 2000, it imploded, and Dru Hill was placed on an indefinite hiatus. The other three members' solo projects were pushed back as Sisqó singles such as " Thong Song" and " Incomplete" became Top 5 hits on the Billboard Hot 100. However, lead singer Sisqó's solo album, Unleash the Dragon, was a notable success, selling, at four million copies, twice as much as Enter the Dru. The intended plan was for each member to record a solo album, and then regroup in a year to record Dru World Order. The new label renegotiated the group's contracts and successfully returned Woody to the fold. During this period, the group's label, Island Records, was merged with Def Jam, and Dru Hill was reassigned to Def Jam's new R&B imprint, Def Soul. This is the group's last album for the entire Def Jam roster and they were released from their contract within a year due to poor album sales for this album and Sisqó's second album, which caused the group to go on a second hiatus.įollowing the release of Enter The Dru's final single, "You Are Everything", in Summer 1999, Dru Hill was reduced to a trio when Woody left the act to become a gospel singer. Two of the singles had music videos released. The album released three singles "I Should Be.", "I Love You" and "No Doubt". This was the first time that Dru Hill was featured as five members. Beginning with this release, Dru Hill became a quintet, with fifth member Scola (Rufus Waller) added to the original lineup of Sisqó, Jazz, Nokio and Woody. Four years had passed between this release and the group's previous album, Enter the Dru, during which time the quartet imploded, yet later reformed. Dru World Order is the third studio album by American R&B group Dru Hill, released in late 2002 (see 2002 in music) on Def Jam Recordings' Def Soul imprint. Why is Logitech G hub not detecting Mouse
In September 2020, Square Enix announced that Final Fantasy XVI was in development for PlayStation 5. Soken kept the treatment hidden from most of the development team, doing some of his work for Final Fantasy XIV from hospital. In May 2021, during the Final Fantasy XIV Digital Fan Festival, Soken announced that he had been receiving chemotherapy for cancer treatment throughout most of 2020, adding that the cancer was in remission. With the previous expansions' main theme songs having previously been composed by Uematsu, this made Shadowbringers ' soundtrack the first in the Final Fantasy XIV series to be entirely written by Soken. Following Nobuo Uematsu's illness in 2018, Soken composed the main theme for Shadowbringers. The Primals have since released several albums starting with Final Fantasy XIV: From Astral to Umbral. He formed a rock band called The Primals with members of the sound team to play at Final Fantasy XIV events such as Fan Festival. Soken became primary composer for the title with the launch of A Realm Reborn and the expansions that followed. Since the 2010 development team reshuffling, he has been sound director for Final Fantasy XIV. In 2010, he composed another sports game for the Wii, Mario Sports Mix. In 2008, he composed the Japan-exclusive Nanashi no Game, this time under the pseudonym "Luis Noma". For the iTunes-exclusive Square Enix Music Official Bootleg collection, Soken contributed the piece "Dog Street" for the first volume in 2006, and "Languid Afternoon" for the third volume in 2007 he went under the alias "Sorbonne Soken" on the third volume. Soken created the fanfare for Square Enix Music TV, a monthly video feature where new album releases are discussed and interviews with Square Enix composers are conducted. He also participated in a Square Enix advertisement for pencils where he got beaten up by two robots the commercial featured music composed by him. Soken has also contributed to Square Enix advertisements Front Mission 5: Scars of the War (2005) featured the sports commercial song "Blue Stream", Soken's only composition in the game. In 2007, he scored the online game Elebest with Ai Yamashita. Soken also arranged a few tracks from previous Mana games, and performed the electric guitar for his arrangements. Along with Kenji Ito and Tsuyoshi Sekito, he created the soundtrack to Dawn of Mana (known as " Seiken Densetsu 4" in Japan), with Academy Award-winning composer Ryuichi Sakamoto providing the main theme. The following year, Soken composed and arranged the score to Mario Hoops 3-on-3. In 2005, Soken worked on Drakengard 2 and Front Mission 5: Scars of the War. His debut as a composer came with the Japan-exclusive sports games Nichibeikan Pro Baseball: Final League, in which he was the sole composer, and World Fantasista with synthesizer programmer Takeharu Ishimoto. He assisted Kenji Ito on sports video games such as Gekikuukan Pro Baseball: The End of the Century 1999. He joined Square in 1998 and his early work at the company primarily focused on sound effect design, rather than composition. Rather than pursue a career in science, he was hired as a sound editor and designer at Konami. He was exposed to music at a young age-his father was a professional trumpet player and his mother taught piano. Soken is best known for being the lead composer and sound director of Final Fantasy XIV and its expansions, as well as the composer for Final Fantasy XVI.īorn in La Paz, Baja California Sur, Mexico, Soken and his family later moved to Tokyo, where he attended the Tokyo University of Science, majoring in chemistry. Masayoshi Soken ( 祖堅 正慶, Soken Masayoshi, born January 10, 1975) is a Japanese video game composer and sound editor who has worked for Square Enix since 2001. |